Finding the artist behind a set of engravings

Gers Gascogne, from France, sells on 17 July 2020 a series of 12 "old" engravings showing the months, in 4 frames, with an estimate of 40 to 60 Euro.

This seemed cheap, so I tried to find who the artists were behind this series (both the designer and the engraver). Sadly, the images are rather blurry, so I had trouble deciphering the texts on the engravings.

Only for the January example was a somewhat better example available, which seemed to show that no indication of engraver or publisher was visible on the engraving. But it made the inscription readable, and thus searchable.

The line "Lignis instrue focum" appears on an engraving of January by Lucas van Doetecum. Wow, good news, the van Doetecums were some of the most important engravers of the late 16th century, working for Hieronymus Cox and e.g. engraving a lot of works of Pieter Bruegel. Google linked me to the Met Museum, which owns a copy and described the inscription. Too bad, no image available. The dimensions seem wrong though, 26 by 35 cm vs. the 18 by 23 for the lot for sale.

I also found another set of engravings with the same inscription, this time at the Escorial, by Petrus van der Borcht. Again, no image... Size was 20 by 24, so a lot closer to the ones here, and a possible match. Oh no, they say the inscription on theirs is "Januar.", while we are looking for "Januarius"...

But the same site also has a set of 12 by Van Doetecum, and this time the dimensions are 20 by 24cm, so perhaps this is the one we are looking for? But again the inscription is "Ianuar.", not "Ianuarius".

Which brings us to the final of the just four Google hits for this three-word search: the graphical collection of the Milan Library. Clicking through brought me a dedicated page for this very engraving, with an image. Finally, success! It's not a complete match though, as this one has a location and artist mentioned: Cologne (Coloniae Agrippinae), and "Ian Buchsmachr".

Not a name I'm familiar with, and one for which very little information is available it seems. An old book on German engraving claimed that this set of 12 months was made by Mathias Quad. Another book, from 1895 this time, claims that one set can be found in Dresden and is there attributed to Adriaen Collaert. I can't find any recent images of works by either Quad or Collaert showing these engravings though. I did learn that Buchsmachr is better known as Johann Bussemacher, engraver and printer (mainly of maps, often engraved by Quad) active around 1600 in Cologne.

So, now we know that some (original? later?) version was printed in Germany around 1600. Which tells us nothing about the one for sale here, nor about who designed and engraved it originally (if not Bussemacher).

And then a long and rather frustrating image search followed, having exhausted all text researches. I'll not tire you with all things I didn't found, let it suffice that in the end I came across a completely different artist and region: Étienne Delaune (1518-1583). He made multiple series of the 12 months, this is the first one from 1561. 

But (and with these engravings, the number of "buts"has been impressive), the ones for sale are not the original ones by Delaune, or at least not the first state, which had a more "handwritten" lettering, and no numbers to the right of the months.

A version which looks (from the very small pictures) to be the same as the one for sale here (though obviously in better condition) was sold at Bassenge in 2014 for 1,800€, wow! Interestingly, they reference some literature about these engravings, which give Gerard van Groeninge as a possible designer, and link them to the series of 12 months by Van Doetecum, which was the first thing I encountered in my search! The circle is round after all, even though the ones for sale are sadly not the Van Doetecum works, nor the first state of the Delaune ones. 

So at the end of all this, I know who the original engraver of these 12 works was, although I don't know yet who was the artist of the designs; I still haven't found any other copies of the versions I am researching though, only two others sets (the original set in two states, and the Cologne version), which is a bit frustrating. Because they don't bear the name of the engraver or publisher, they probably are usually catalogued as anonymous or with a wrong attribution. 

If they were in good condition, I would have bid on them, but as it stands, and taking into account shipping costs, I'll pass, though with some regret. 

UPDATE: sold for 1,200 Euro, 30 times the estimate!


The same auction has some other lots which are mainly interesting if you can pick them up yourselves, avoiding shipping and handling costs. 

Lot 75 is an engraving with an "undecipherable" signature, which is a 1648 work "Pater Familias" by Adriaen van Ostade. Looks like a later copy though, but at 5 to 8 Euro you can't really go wrong here.

UPDATE: sold for 55 Euro, a much more logical price.

Lot 105 is a Picasso Domino, estimated at 8 to 15 Euro. This was originally a limited edition (some 2000 copies) from 1960,in which case it is worth around 200 to 300 Euro. Later (post-1985) versions exist, with a CE mark and without certificate, and these are worth around 50 Euro. A good buy in any case. 

UPDATE; sold for 70 Euro.

Johanna van Frijtom

Anderson & Garland, of England, sell on 15 July 2020 a "Johanna van Frytom" Vertumnus and Pomona, estimated at £400 to £600.

Johanna van Frijtom (1662-1740) (also: Jannetje Frijtom) was one of the rare female painters in the seventeenth century. Born and living in Delft, she was the daughter of (porcelain) painter Frederick van Frijtom and Pauline "Lijntje" Stevens. Only some 5 paintings by Johanna are attested, including one with card players in a collection in Stockholm, and a portrait of a lady which was sold in 1830 in Brussels (and which may be the same as a self portrait in the inventory of her father), and a portrait of her father? 

The other two are both depictions of Vertumnus and Pomona, one in the City Museum "Het Prinsenhof" in Delft, and the one for sale here. The one in Delft (image via the RKD) is slightly larger (60 by 55 instead of 56 by 47).

The work in Delft (and thus also the one for sale now) is clearly inspired by a work by Thomas van der Wilt (or the 1688 engraving by Jan Brouwer, shown from the Rijksmuseum). Not only the two persons, but also her walking stick, the stone vase, the bird, ...

According to the "Digitaal Vrouwenlexicon Nederland", the version of the Vertumnus for sale now was sold in 1983 as a work by her father.

Invaluable shows that it was offered for sale at Cheffin's in 2009, with an estimate of £3,000 to £5,000 at the time, but remained unsold. It was then in a "private collection, Newcastle", and the current sale is in Newcastle... It is not clear whether they had a much better photograph, or whether the painting has considerably deteriorated in the last 10 years. In either case you will get a better painting (now of after cleaning) than the auction seems to show.

In itself, it is a reasonable but far from brilliant painting, based on (but not purely copied from) an engraving: even then, £400 would be cheap, but not by much.

However, as a signed work by one of the few female painters active in the Netherlands (or anywhere for that matter) around 1700, it is very cheap, and a unique chance to acquire a work by her. It is not at the level of works by Ruysch, Peeters, Leyster or Wautier, but most of us can't afford paintings by these anyway. It should fetch at least a few thousands pounds if enough collectors and museums realise its rarity.